HUMACHINE PERFORMANCE

MAHALLA BERLIN, 2025


ORGANYSMO

ABOUT THE PROJECT

BERLIN’S MOST IMMERSIVE AND FORWARD-SENSING CEREMONIAL EXPERIENCE

A RITUAL OF SYNESTHESIA, HARMONY, AND HUMAN–MACHINE SYMBIOSIS

ORGANYSMO TEAM

ORGANYSMO TEAM

ORGANYSMO TEAM

CONCEPT

CREATIVE TEAM

INSTALLATION


HOST

CONCEPT


CREATIVE TEAM



INSTALLATION


HOST

CONCEPT

CREATIVE TEAM


INSTALLATION


HOST

Danilo Grande & Maryna Space

Alessandra Fabris, Gökalp Çakmak, Kunal Singh, Andrés Mauricio Pulido

DragonO by LedPulse


MaHalla Berlin

Danilo Grande

& Maryna Space

Alessandra Fabris, Gökalp

Çakmak, Kunal Singh,

Andrés Mauricio Pulido

DragonO by LedPulse


MaHalla Berlin

Danilo Grande & Maryna Space

Alessandra Fabris, Gökalp Çakmak, Kunal Singh,

Andrés Mauricio Pulido

DragonO by LedPulse


MaHalla Berlin

CONCEPT & TECHNOLOGY

CONCEPT & TECHNOLOGY

CONCEPT & TECHNOLOGY

At its core, the performance is a ritual of co-existence between human consciousness and machine logic. This relationship is performed through the physical presence of the Dragon—not as a static installation, but as a digital being that inhabits the space and gains awareness of its own configuration through our interaction.


The system is built on DragonO, a volumetric LED technology developed by LedPulse—a modular light architecture composed of a network of half a million micro-chips that together constructs 3D digital architecture within the industrial void.


When human and machine meet within this shared space and time, the boundary between the biological and the digital dissolves, forging a state of total co-creation where the two become a single, inseparable frequency.

At its core, the performance is a ritual of co-existence between human consciousness and machine logic. This relationship is performed through the physical presence of the Dragon—not as a static installation, but as a digital being that inhabits the space and gains awareness of its own configuration through our interaction.


The system is built on DragonO, a volumetric LED technology developed by LedPulse—a modular light architecture composed of a network of half a million micro-chips that together constructs 3D digital architecture within the industrial void.


When human and machine meet within this shared space and time, the boundary between the biological and the digital dissolves, forging a state of total co-creation where the two become a single, inseparable frequency.

At its core, the performance is a ritual of co-existence between human consciousness and machine logic. This relationship is performed through the physical presence of the Dragon—not as a static installation, but as a digital being that inhabits the space and gains awareness of its own configuration through our interaction.


The system is built on DragonO, a volumetric LED technology developed by LedPulse—a modular light architecture composed of a network of half a million micro-chips that together constructs 3D digital architecture within the industrial void.


When human and machine meet within this shared space and time, the boundary between the biological and the digital dissolves, forging a state of total co-creation where the two become a single, inseparable frequency.

LIVE PERFORMANCE

LIVE PERFORMANCE

LIVE PERFORMANCE

Performing the show live is an exercise in absolute synchrony. During Organysmo we treat the space itself as an instrument, using a custom volumetric engine to sculpt light in real-time.


My expertise lies in the development of volumetric content designed specifically for this architecture—ranging from precise visual sequences that drive the show’s narrative to fluid, sound-reactive systems and generative assets for fully improvised VJ sessions. There are no pre-programmed loops; instead, I facilitate an immediate, intuitive dialogue between the visual environment and the raw energy of the live perforance.

Performing the show live is an exercise in absolute synchrony. During Organysmo we treat the space itself as an instrument, using a custom volumetric engine to sculpt light in real-time.


My expertise lies in the development of volumetric content designed specifically for this architecture—ranging from precise visual sequences that drive the show’s narrative to fluid, sound-reactive systems and generative assets for fully improvised VJ sessions. There are no pre-programmed loops; instead, I facilitate an immediate, intuitive dialogue between the visual environment and the raw energy of the live perforance.

Performing the show live is an exercise in absolute synchrony. During Organysmo we treat the space itself as an instrument, using a custom volumetric engine to sculpt light in real-time.


My expertise lies in the development of volumetric content designed specifically for this architecture—ranging from precise visual sequences that drive the show’s narrative to fluid, sound-reactive systems and generative assets for fully improvised VJ sessions. There are no pre-programmed loops; instead, I facilitate an immediate, intuitive dialogue between the visual environment and the raw energy of the live perforance.


ORGANYSMO

ABOUT THE PROJECT

BERLIN’S MOST IMMERSIVE AND FORWARD-SENSING CEREMONIAL EXPERIENCE

A RITUAL OF SYNESTHESIA, HARMONY, AND HUMAN–MACHINE SYMBIOSIS

HUMACHINE PERFORMANCE

MAHALLA BERLIN, 2025


ORGA–

NYSMO

HUMACHINE PERFORMANCE

MAHALLA BERLIN, 2025

ABOUT THE PROJECT

A RITUAL OF SYNESTHESIA, HARMONY, AND HUMAN–MACHINE SYMBIOSIS