
HUMACHINE PERFORMANCE
MAHALLA BERLIN, 2025
ORGANYSMO
ABOUT THE PROJECT
BERLIN’S MOST IMMERSIVE AND FORWARD-SENSING CEREMONIAL EXPERIENCE
A RITUAL OF SYNESTHESIA, HARMONY, AND HUMAN–MACHINE SYMBIOSIS



ORGANYSMO TEAM
ORGANYSMO TEAM
ORGANYSMO TEAM
CONCEPT
CREATIVE TEAM
INSTALLATION
HOST
CONCEPT
CREATIVE TEAM
INSTALLATION
HOST
CONCEPT
CREATIVE TEAM
INSTALLATION
HOST
Danilo Grande & Maryna Space
Alessandra Fabris, Gökalp Çakmak, Kunal Singh, Andrés Mauricio Pulido
DragonO by LedPulse
MaHalla Berlin
Danilo Grande
& Maryna Space
Alessandra Fabris, Gökalp
Çakmak, Kunal Singh,
Andrés Mauricio Pulido
DragonO by LedPulse
MaHalla Berlin
Danilo Grande & Maryna Space
Alessandra Fabris, Gökalp Çakmak, Kunal Singh,
Andrés Mauricio Pulido
DragonO by LedPulse
MaHalla Berlin


CONCEPT & TECHNOLOGY
CONCEPT & TECHNOLOGY
CONCEPT & TECHNOLOGY
At its core, the performance is a ritual of co-existence between human consciousness and machine logic. This relationship is performed through the physical presence of the Dragon—not as a static installation, but as a digital being that inhabits the space and gains awareness of its own configuration through our interaction.
The system is built on DragonO, a volumetric LED technology developed by LedPulse—a modular light architecture composed of a network of half a million micro-chips that together constructs 3D digital architecture within the industrial void.
When human and machine meet within this shared space and time, the boundary between the biological and the digital dissolves, forging a state of total co-creation where the two become a single, inseparable frequency.
At its core, the performance is a ritual of co-existence between human consciousness and machine logic. This relationship is performed through the physical presence of the Dragon—not as a static installation, but as a digital being that inhabits the space and gains awareness of its own configuration through our interaction.
The system is built on DragonO, a volumetric LED technology developed by LedPulse—a modular light architecture composed of a network of half a million micro-chips that together constructs 3D digital architecture within the industrial void.
When human and machine meet within this shared space and time, the boundary between the biological and the digital dissolves, forging a state of total co-creation where the two become a single, inseparable frequency.
At its core, the performance is a ritual of co-existence between human consciousness and machine logic. This relationship is performed through the physical presence of the Dragon—not as a static installation, but as a digital being that inhabits the space and gains awareness of its own configuration through our interaction.
The system is built on DragonO, a volumetric LED technology developed by LedPulse—a modular light architecture composed of a network of half a million micro-chips that together constructs 3D digital architecture within the industrial void.
When human and machine meet within this shared space and time, the boundary between the biological and the digital dissolves, forging a state of total co-creation where the two become a single, inseparable frequency.





LIVE PERFORMANCE
LIVE PERFORMANCE
LIVE PERFORMANCE
Performing the show live is an exercise in absolute synchrony. During Organysmo we treat the space itself as an instrument, using a custom volumetric engine to sculpt light in real-time.
My expertise lies in the development of volumetric content designed specifically for this architecture—ranging from precise visual sequences that drive the show’s narrative to fluid, sound-reactive systems and generative assets for fully improvised VJ sessions. There are no pre-programmed loops; instead, I facilitate an immediate, intuitive dialogue between the visual environment and the raw energy of the live perforance.
Performing the show live is an exercise in absolute synchrony. During Organysmo we treat the space itself as an instrument, using a custom volumetric engine to sculpt light in real-time.
My expertise lies in the development of volumetric content designed specifically for this architecture—ranging from precise visual sequences that drive the show’s narrative to fluid, sound-reactive systems and generative assets for fully improvised VJ sessions. There are no pre-programmed loops; instead, I facilitate an immediate, intuitive dialogue between the visual environment and the raw energy of the live perforance.
Performing the show live is an exercise in absolute synchrony. During Organysmo we treat the space itself as an instrument, using a custom volumetric engine to sculpt light in real-time.
My expertise lies in the development of volumetric content designed specifically for this architecture—ranging from precise visual sequences that drive the show’s narrative to fluid, sound-reactive systems and generative assets for fully improvised VJ sessions. There are no pre-programmed loops; instead, I facilitate an immediate, intuitive dialogue between the visual environment and the raw energy of the live perforance.


ORGANYSMO
ABOUT THE PROJECT
BERLIN’S MOST IMMERSIVE AND FORWARD-SENSING CEREMONIAL EXPERIENCE
A RITUAL OF SYNESTHESIA, HARMONY, AND HUMAN–MACHINE SYMBIOSIS
HUMACHINE PERFORMANCE
MAHALLA BERLIN, 2025


ORGA–
NYSMO
HUMACHINE PERFORMANCE
MAHALLA BERLIN, 2025
ABOUT THE PROJECT
A RITUAL OF SYNESTHESIA, HARMONY, AND HUMAN–MACHINE SYMBIOSIS